Archive For The “C3 blog” Category

Twitter, Gladwell, and Why Social Media’s Revolutionary Potential Isn’t (Really) About Egypt

By | February 14, 2011

Last week, amongst all the frustration, euphoria, and confused wonder surrounding the events in Egypt, Malcolm Gladwell and others got mired in another discussion regarding the relative efficacy of social media in creating political change. I don’t want to rehash the back and forth (some thoughtful opinions here, here, and here), except to say that I […]

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Social Suicide’s digital savvy: bridging monetary value and social worth

By | March 1, 2010

Over the weekend, a rigorously fashion-forward friend of mine sent me a slightly perplexing message: “go bug social suicide on twitter so I can buy a couple of suits.” Not being an avid follower of men’s fashion, I wasn’t familiar with the London-based retailer of immaculately hand-tailored menswear with provocative detailing. But when I went […]

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Affect, Effect, and Context: more thoughts on Google’s superbowl ad

By | February 12, 2010

Much has been said about Google’s Parisian Love superbowl ad in the last week, much of it ranging from positive to gushing adoration. I was no exception, discussing the way google demonstrated its understanding of the culture of seeking. My last post focused on the content of the ad, which was lovely, but content doesn’t […]

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Modern Love: what Google’s Superbowl ad teaches us about understanding culture

By | February 9, 2010

Google made good on all the teasing tweets and ran its first superbowl ad on Sunday night, to the praise of advertising and marketing professionals and all those who fall under Alterian’s Social Engagement Index. I was preoccupied with making sure the make-shift stadium seating in my loft wasn’t in danger of collapsing to catch […]

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Participation and Crowd Control: Stephen King’s Under the Dome promotional puzzle

By | October 28, 2009

In build-up to the release of his much anticipated new novel, Under the Dome, Stephen King’s UK publishers Hodder & Stoughton have launched what they’re calling “the biggest ever game of literary hide-and-seek.” For the game, fans across the UK are enlisted to help both hide and find the 5,196 excerpts that makes up the […]

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Collaboration or Competition: Levi’s Go Forth campaign

By | October 7, 2009

Levi’s recently launched a new ARG-style scavenger hunt to promote deeper involvement with their brand mythology. The story centers around the last will and testament of Grayson Ozias IV, a fabled friend of Nathan Strauss who disappeared mysteriously into the wilderness with $100,000, which in turn is the grand prize for the game. While the […]

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Selling Out on YouTube: vloggers weigh in on brand integration online

By | July 21, 2009

[This post will also appear on the C3 blog] Recently, a string of prominent vloggers on YouTube have been having a conversation about advertising, product promotion, and the notion of ‘selling out’. This was triggered by their experiences with various companies who courted them to help promote their products amongst their viewers and community and […]

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Dramafever.com full interview (part 4/5)

By | June 15, 2009

The 4th installment of my interview with the founders of Dramafever.com delves into their relationship with fans and efforts to fulfill what they viewed as a clear market need. Of particular interest is the discussion on how they select content based on observing audience-enagement on fan-driven sites and the site’s success in collaborating with the […]

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Collaborative (transational) Audienceships: Viikii.net

By | June 4, 2009

[This was originally written for the Convergence Culture Consortium blog] I’ve been thinking a lot recently on audiences and audienceship, and what it means for media audiences and the communities they form when being part of an audience can increasingly involve collaborating on the (re)production, distribution, and curation of content. One of the sites that […]

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IP or Censorship: Viacom issues take-down for racism protest

By | May 4, 2009

Recently, Viacom, in the process of of trying to “protect” their intellectual property not only managed to make copyright claims on original transformative work that is protected under fair use, they managed to censor political protest against racism in the process. (one of the revised shirt designs available at racebending.com) In one of their “routine […]

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